Oct 09 2009
Yes, I am a Facebooker
It occured to me the other day as I pulled up to a gas station and I fished one of the few dollar bills out my pitifully thin wallet, and turned off the car (effectively ending the stream of Pixies songs coming from my CD player), and glided across the pavement in my Vans, that I am a member of Generation Y.
Oh, trust me, it wasn’t an easy conclusion to come to. I used to lie to myself that I wasn’t some aggrevating douchebag. But, as I think back on it, I scream pretentious. I’ve watched weird underground arty films at friends’ houses. I’ve had discussions about indy music with some of the fellow twentysomethings in my class. And yes, it pains me to say it, I own a pair of crocs.
It goes without saying that this youth movement is one of the oddest ones to arise in recent memory. Not since the flappers who danced to jazz in the Roraing 20s have we seen such a curiously self-absorbed group of young adults who aspire to such artistic inclinations with no sense of meaning whatsoever. The parade of both men and women decked out in purple plaid, wayfarers that could take over the countenances of Mount Rushmore, and a copy of Che Guevera’s biography hanging oh-so-indiscriminately out of their bookbags is a sight to behold on college campuses nowadays.
Despite my smarky satire, I am helpless to overturn this tide, and humbly assert myself on my knees to give in o this tide. In my younger years, I had browsed through Hot Topic and proudly sported those baggy JNCO pants with a gazillion chains on them (great to annoy the ‘rents, but impractical otherwise). I was also a lot more idealistic and direct in expressing myself. Now I find myself hiding behind an ironic smirk, and catch myself listening to Poison the Well a bit more than I do Pantera.
It’s a hazy path to navigate, havng to learn of a million different non-commerical music genres: trip-hop, twee, melodic hardcore, post-rock, shoegazing, and other such silly and obscure styles that escape me at this moment. I’ve also become absorbed in Youtube and Facebook. What with its absurd non-sequitir mni-montages and the back-and-forth flow of messages exchanged, the computer has become the 2000s version of crack cocaine, addictive and hazardous for all bored teenagers who come into contact with it.
Back in the elder days there was at least some attempt at honest, sincere expression and revolt. I hate to seem like one of those arrogant baby boomers who proclaims “back in my day” (considering I was born in 1988), but it strikes me that previous subcultures had some sort of idelogy or focus in mind. The hippies were staunchly against contemporary suburban materialism and held to the values of peace and love. Punk rock saw this as false and hypocritical, and took a more active and radical stance on the government’s strangehold over our lives.
Goth came along and looked inward, while the other two slowly and quietly rode off into the sunset. The turning point seems to have been the rise of the Seattle sound. When Kurt and his flannel-wearing ilk stumbled along into the mainstream, we saw a different breed of disgruntled adolescence. They were pissed and annoyed, but also somewhat a navel-gazing bunch. Layne Staley and Chris Cornel realized how false this reality was, but almost seemed too helpless and paralyzed to really do anything about it. They seemed more concerned without getting kicked out of the house by their parents than the homeless people living in the street.
And so we come to the end of the cycle, the repulsive hipster. They sport stubble and slightly ragged clothes, but unlike the grunge rocker, they shower regularly. We have simultaneously managed to reappropriate every single style before us and rendered it null and meaningless. True expression is avoided; we instead communicate in saracstic asides and onloy hint at varying social and personal problems. Emo is the shining example of today’s attitude; there’s obvious inner turmoil brewing in there, but we cleverly dodge it by wearing tight shirts with graphic designs and smoking cigarettes against the wall at a local show (known as “the scene”).
I envy those who are cheesy and induge in it. So to those of you with a garden gnome or a singing bass tacked up on the wall….huzzah! Continue the good fight against snobby urban elitism! When I hang around my friends who unquestonably crank up Flyleaf or jam out to Theory of a Deadmna, they did it with an honest and unknowing naivete. They know nothing of “quality” or “taste”.
I recall last weekend I was at a festival with my family. My mom’s friend, a 50 year old woman who could best be described as “somewhat dorky”, was merrily swaying to a local cover band up on stage. Neer mind that she was completely uncoordinated and out of it (according to the current vernacular), she was enjoying herself and having the time of her life. Oh, the beauty in it, the sublime quality of a complete lack of coordination and coolness.
I confess all this but I’m stll fighting. Don’t worry….I haven’t headed too far into the land of obnoxiousness. I still bust out a few Linkin Park songs on my mixtapes, I have yet to acquire a true iPod, and I’ve never been spotted with my laptop in a public cafe. The days of Monster energy drinks are calling to me, but every so often I get “We’re an American Band” by Grand Funk Railroad stuck in my head.


